The Tale Behind the Tail: How 3D Scanning Helped Mr. Stubbs

Mr. Stubbs, the alligator, test-drives his new tail. The model for the tail was created by 3D-scanning a deceased alligator’s tail. (Image courtesy of MORE Foundation.)

Many people have heard the story of Mr. Stubbs, the tailless alligator that got a new tail (and a new lease on life) through the wonders of 3D printing. But before his prosthetic tail was printed, the project stakeholders had to undertake a scanning process as well. Engineering.com talked to two of the project stakeholders to get the details on how exactly the scan happened.

Justin Georgi, an associate professor of anatomy at Arizona’s Midwestern University, and Marc Jacofsky, the executive director of Research & Education for the MORE Foundation, have been working with Mr. Stubbs for many years, developing different prostheses to keep the alligator healthy. “Without his tail, Mr. Stubbs can barely swim and only walk very poorly,” Georgi said. “His terrestrial posture and gait are so poor there was a real concern about his long-term joint and bone health.”

While Georgi had a 3D scanner in the office, the quality wasn’t high enough to capture the detail of an alligator’s tail. So, he reached out to 3D printing company STAX3D to see if it wanted to collaborate on crafting a new prosthetic for the injured reptile.

“When Justin initially contacted us, we were very intrigued and weren’t sure what we were getting ourselves into,” said Michael Andrew, technical lead at STAX3D. While STAX3D had worked with prostheses before, this project would be its first non-human prosthetic. The team started by reviewing the “cast tail” (a dead alligator’s tail that Georgi’s team had used as a model for previous prostheses and scanning it from multiple angles).

To scan the tail, STAX3D used an Artec Eva structured light scanner, a scanning device that allows you to map out the surface of an object using projected light. The light bouncing off of the surface is distorted, and when that distorted light gets picked up by the scanner, the distortion is used to identify the object’s shape. The Artec Eva was ideal for this particular project because it’s accurate enough to capture detail within 0.5mm (0.019685in), and can be used on large objects, including an alligator’s enormous tail.

Using the scanner, the team was able to create a point cloud of the tail: a set of 3D points that, together, form the surface of an object. The point cloud was run through Artec’s software to develop an STL file, a model that stitches the points together into a coherent whole. That file formed the basis for the later 3D-printed tail.

Georgi and his team were grateful for the degree of control the digital model gave them. “The fine control over details of the size and shape of the tail that we achieve with the digital process gives us the chance to actually experiment with different properties so that we can understand on a more direct level how the prosthesis affects Mr. Stubbs,” he explained. “For example, our most recent work has shown that the length of the prosthesis (as long as the weight stays appropriate) has very little impact on the quality of Mr. Stubbs’ movement.”

And although alligator prosthetics are still newsworthy, human prosthetics have been incorporating 3D scanning and printing for some time now. “This isn't the future; this is now,” Andrew said. “Using this technology, companies and individuals are leveraging this technology to break down the limitations of previous manufacturing methods for prostheses. With this technology, you can cut out quite a few steps and a lot of time.”

Both teams hope that Mr. Stubbs’ shiny new tail will bring more attention to the field. “We’re just scratching the surface of what 3D scanning and printing can do in the field of prosthetics,” Georgi concluded. “I think perhaps the most important thing Mr. Stubbs’ case can do is capture the imagination of others and inspire them to push these boundaries even further.”